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Alexis Gentry

Social media nerd and pop culture blogger

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Dotty Shade Procreate Brush

Dotty Shade is a lettering brush I created for Procreate. It features a built-in shadow feature, this time textured like little dots. It’s pressure sensitive and works best with iPad Pro and Apple Pencil. You can purchase Dotty Shade on Creative Market and Etsy.

View Dotty Shade in action here:

Still trying out this camera clamp. It’s a little bouncy, but still way better than my previous method for recording #hyperlapse videos. This time I decided to do a quick video with (almost) all of the #lettering brushes that I have available on Etsy. ~ For anyone wondering, this is the order: Totally 90s Treadz Dotty Shade Basket Case Momoa Hairball Fine Tooth Yarn Cray Cray Crayon Glitch Chain Letter Lace (2 brushes out of the 5 available) Just Bead It Spore Shady Lady 2 Ice Ice Baby Mermaid ~ If you use any of these, tag me because I’d love to see what you make. ~ #ipadlettering #ipadcalligraphy #procreatebrush #procreatebrushes #procreatelettering

A post shared by Alexis Gentry (@alexisgentry) on Feb 7, 2017 at 12:01pm PST

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Samantha leads Nandini Reddy’s Maa Inti Bangaram as Swarna, who tries to be the ideal housewife for her husband’s disapproving family until her violent past is revealed and she has to use her very unique set of skills to defend them. Few directors in the world speak the language of film quite as fluently as Steven Spielberg. With Disclosure Day, he brings his signature sense of wonder, along with John Williams’ score and Janusz Kaminski’s cinematography, but the sci-fi story doesn’t quite live up to the sum of its parts. With the success of young directors like Kane Parsons and Curry Barker changing the horror genre, Abhinav Sunder Nayak’s Mollywood Times couldn’t have arrived at a better moment. Young director Kane Parsons’ viral YouTube short film series comes to the big screen with A24’s Backrooms, exploring the eerie mundanity of liminal space and the internal turmoil of its original characters. YouTuber-turned-filmmaker Curry Barker’s Obsession is like Get Out for “nice guys”, blending funny, disturbing, and highly entertaining horror with surprisingly impactful themes about male entitlement, mutual consent, and female autonomy. As someone who was feeling pretty burned out on Star Wars, I greatly appreciated that The Mandalorian and Grogu was a standalone story. It’s much easier to have fun when every scene isn’t trying to set up a spinoff, create an applause break for a legacy character, or push forward a larger phase of a cinematic universe. It feels bold to release a movie like The Drama when media literacy has declined so much. This is now a Carl stan account. Project Hail Mary hits a perfect balance between sci-fi, humor, and heart. We get the enormous scale of space, but also a story grounded in emotion, due in large part to a phenomenal performance from Ryan Gosling.

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